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West Coast Modern began on the Pacific shore in the mid-twentieth century — a regional response to the alpine forests, the rain, the mountain light, and the modernist ideas drifting up the coast from California. Architects like Arthur Erickson, Ron Thom, and Barry Downs translated International-style minimalism into something that belonged here: timber instead of steel, deep eaves for the rain, big glass for the borrowed light, restraint as a posture toward the landscape.

Today, West Coast Modern is less a strict architectural style and more a sensibility. It values material honesty — cedar that ages, stone that’s heavy, glass that disappears. It favours horizontal lines that echo the long views. It treats the landscape as the most important room. And it tends toward warm, restrained interiors that don’t compete with the cedar soffits or the granite outside the window.

When we work in this register — most of our Sea to Sky projects do — we’re reaching for that same balance. Spaces that feel quiet, but are full of small choices. Materials that warm with use. A connection to outside that isn’t literal but is unmistakable. See it most clearly at Sunstone and Balsam.

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What Is West Coast Modern? — LRD Studio Journal